Know before
you book.
Turn scattered audience data and past-show history into market rankings, venue-fit recommendations, and real break-even math.
Touring shouldn’t start with a guess.
Most independent artists still choose markets from instinct, relationships, or where everyone else seems to be playing. Stage puts the audience and economics in front of you before the commitment.
“Where should we play next?”
Rank cities using signals from your own audience and historical performance—not generic popularity.
“Is this venue actually right for us?”
Compare fit across capacity, market strength, historical draw, and the realities of the room.
“Does this offer make financial sense?”
Know the tickets, gross, costs, and break-even point before the show becomes an expensive lesson.
From raw signals to a clear decision.
Stage doesn’t stop at charts. It turns your inputs into an actionable recommendation, shows the math behind it, and tells you how confident that recommendation is.
Lincoln Hall
Market Score
See which cities are actually worth pursuing based on your own signals.
Stage Fit Score
Rank venues inside each market by how well the room fits the opportunity.
Show economics
Model ticket price, capacity, costs, and break-even using deterministic math.
Recommendation context
Every recommendation explains what drove it, how confident Stage is, and what data is missing.
Route planning
Save strong city + venue combinations into a route and export a clean planning report.
Five steps. One better booking decision.
Stage is intentionally focused on the planning window before a show gets booked. Once the decision is made, Stage has done its job.
Bring your data
Upload audience signals and show history from the tools you already use.
Rank markets
See which cities show the strongest opportunity for your specific audience.
Find venue fit
Compare rooms inside a city using Stage Fit Score.
Run the math
Understand ticket scenarios and break-even before committing.
Build the route
Save the strongest recommendations and export the plan.
Not another tour manager.
Tour-management tools organize the show after it’s booked. Stage helps you decide whether it should be booked at all.
Built for independent teams making real touring calls.
Independent touring artists
Self-managed and lightly managed acts playing roughly 10–60 shows per year, mostly in rooms under 2,500 capacity, with enough data to know something—but not enough infrastructure to turn it into a decision.
Managers + booking agents
Collaborate across a roster, compare opportunities, and work inside artist-controlled permissions for recommendations and financial visibility.
Make the call with the numbers in front of you.
Stage is being built for independent artists and teams who want touring decisions grounded in audience fit and show economics—not instinct alone.